Réflexivité et réflexions féministes sur une démarche ethnographique : captation 360° et restitution visuelle de pratiques queer brésiliennes

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Jordan Fraser EMERY
Jacques IBANEZ-BUENO

Abstract

The text explores the integration of feminist perspectives into visual methods by focusing on the use of 360-degree video recording, also known as omnidirectional video. It highlights the new perspectives on visual thinking and expression made possible by this technology, while examining traditional videographic conventions. The paper also looks at the importance of considering issues of power and identity, particularly as they relate to the visibility of the researcher-director. A debate is nevertheless initiated on the limits of this visibility. A case study is presented to illustrate the way in which a creative and visual restitution of research can be achieved from a feminist perspective, using digital tools to reinforce ethnographic description and to give space to a wider epistemological perspective. The creation of a theatre-inspired videographic gesture is also discussed as a means of formalising the shift between different spaces and cultures. Consequently, the article proposes a scientific digital aesthetic that can easily be reproduced and extended.

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Dossier

How to Cite

EMERY, J. F. ., & IBANEZ-BUENO, J. . (2024). Réflexivité et réflexions féministes sur une démarche ethnographique : captation 360° et restitution visuelle de pratiques queer brésiliennes. ESSACHESS – Journal for Communication Studies, 17(1(33), 95-120. https://doi.org/10.21409/0YRK-1H54

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